Infinite Contact

a mellow and receptive survey of non phallic guitar music. the guitar as receiving instrument, eschewer of virtuosity, convex resonance chamber, pure muscle of continuous emotional birth. curiosity for all different types of plucked or strummed strings strung in tension. harp included. correct breathing posture required.

Self-released Christian records of middling quality, encountered without pre-listening as Christmas approaches. Initially dismissible as 'bullshit,' but through deep listening, finding earnest faith and heartfelt devotion — a partial conversion on the road to Damascus.

Deep gospel records that require no apology, no context, no intellectual frame — just powerful singing, urgent faith, and undeniable feeling. The real thing.

A tribute to DJ Screw's chopped-and-screwed technique, inspired by the slowed-down Olsen Twins 'Pizza' remix that made something innocent terrifying. 1990s hip-hop time-stretched and pitched down live, transforming familiar tracks into surreal, syrupy dread. Houston lean culture meets internet absurdism.

I try to put on a very normal radio show with normal records---Beatles, the Who, Postal Service. Stuff like that. Unfortunately, I was bitten by a stray dog right before the show began. As the live episode unfolds, I gradually, and then abruptly, transform into a werewolf.

A dark meditation on the possibility that extraterrestrial signals have rained down on earth and overwritten our programming to introduce an age of violence and rampage. Progressive synth soundscapes are blended over samples from the classic Saul Bass scifi film. Produced in the height of the ICE invasion, when masked men with guns resembled so many killer ants.

Downtown New York experimental music with composer/improviser Elliott Sharp, featuring four exclusive improvisations created for this broadcast plus interview. Sharp's work paired with Milford Graves, Morton Feldman, and deep ethnographic recordings in an asymptotic approach to the downtown aesthetic — getting infinitely close without ever fully arriving.

Joined by label owner John Moses as his collection of bone meets mine for a Valentine's Day love fest. What could be more romantic than two bearded men closely listening to and then dissecting vanity records? Nothing.

A two-hour improvised audio novel performed live, blending deep listening to Kenneth Higney's rare album 'Attic Demonstration' with a confessional narrative about befriending Higney to make a documentary—then abandoning the project and him. An examination of artistic extraction, guilt, documentary ethics, and how we live with betrayal and loneliness. High-wire spontaneous storytelling about the people we use to tell our own stories.

Progressive synthesizer music and experimental cassettes from the 1980s, live-mixed with dialogue from science fiction B-movies to construct a found narrative about the dread of space exploration. Forget utopian Star Trek futurism—this is cosmic horror, isolation, and the terror of contact with the unknown. Found narrative meets analog synth exploration. There is no return trip. OG Airdate: 08.28.2024